At the HFA: Cesar Monteiro, Poet-Provocateur
by DRCLAS Brazil Studies Program - Brazil-related events, conferences, research, classes and cultural activities.
*At the Harvard Film Archive
May 14 – May 20, 2010
*
*Cesar Monteiro, Poet-Provocateur
May 14 – May 24
*João César Monteiro (1939-2003) remains among the most indelible and
unusual figures in the history of Portuguese cinema, a visionary and
profoundly eccentric filmmaker whose unique contribution to postwar
European film is only gradually being recognized today. A cosmopolite
imagination tethered by a provincial attachment to Lisbon, a libertine
with an obscurely puritanical streak, an unrelenting aesthete guided by
an archaic spirit – Monteiro was a deliberately contradictory and
difficult artist who obdurately resisted affiliation with any declared
“school” of filmmaking. Monteiro dedicated himself instead to a mode of
sublimely, and often perversely, high modernism fascinated by a rich
undercurrent between the cinema and the other arts – especially poetry,
painting, theater, literature and music.
*
*_Memories of the Yellow House – A Portuguese Comedy_ (/Recordações da
casa Amarela: Uma comedia lusitana/)
Friday May 14 at 7pm
In his debut as his libidinous alter ego João de Deus, Monteiro stars as
a meticulous and melancholy bachelor living in a rambling boarding house
and feverishly obsessed with his landlady’s daughter. A ribald yet
wonderfully delicate comedy, /Memories of the Yellow House/ traces the
indecisive, dangerous ripening of erotic fantasy as João’s voyeuristic
rituals push him to further, unexpected extremes. The rich mellowing of
Monteiro’s political address is embodied in the figure of the boarding
house whose sanctimonious and narcissistic landlady is both a loose
metaphor for the repressive, reactionary tendencies of postwar
Portuguese society and an affectionately comic figure.
Directed by César Monteiro. With João César Monteiro, Manuela De
Freitas, Ruy Furtado
Portugal 1989, 35mm, color, 122 min. Portuguese with English subtitles
_Come and Go_ (/Vai e Vem/)
Saturday May 15 at 7pm
Driven by his struggle against the illness that would ultimately prove
fatal, Monteiro fervently devoted himself to his deeply personal last
work, a musically structured meditation on spirituality and desire in
which he heroically cast himself in the lead role as an eccentric
libertine drifting wide-eyed through a sun-drenched Lisbon. A
consciously terminal film, /Come and Go/ offers a poetic summation of
Monteiro’s fascination with the body as the most irreverent and
mysterious of temples, staging a series of playfully austere encounters
between the visibly infirm and prematurely aged director and the women
with whom he engages in erotic, linguistic and theological debates.
Directed by César Monteiro. With João César Monteiro, Rita Pereira
Marques, Joaquina Chicau
Portugal 2003, 35mm, color, 175 min. Portuguese with English subtitles
_Silvestre_
Sunday May 16 at 7pm
A bewitching combinatory adaptation of the Bluebeard tale and a 15th
century Portuguese fable of a damsel who disguises herself as a knight
errant, /Silvestre/ is both radically feminist and fascinated with the
dark, primal logic of the paternal order. Monteiro’s earliest
collaboration with producer Paulo Branco was among his first to receive
international acclaim, with special attention given to /Silvestre’s/
daring use of deliberate artifice – front-projected backgrounds,
extended freeze frames, theatrical performances – to capture the
fatalistic rhythm and dream logic of myth.
Directed by César Monteiro. With Maria de Madeiros, Teresa Madruga, Luís
Miguel Cintra
Portugal 1981, 35mm, color, 118 min. Portuguese with English subtitles
_Snow White_ (/Branca de neve/)
Monday May 17 at 7pm
Monteiro moved far away from the visual opulence defined by his earlier
films with his inspired adaptation of radical Swiss writer Robert
Walser’s anti-fairy tale. Carefully restricting the image track,
Monteiro maintains an almost totally black screen in order to focus
instead on the voices of Snow White, the Prince, the Queen and the
Hunter, engaged in an extended debate about love, free will and the
events leading up to the fateful attempt on the maiden’s life. Despite
its visual austerity, /Snow White/ is haunted by the arresting images
with which it begins – infamous black-and-white photographs of Walser
lying dead in the snow after his heart attack outside a Swiss asylum at
the age of seventy-eight, a strange realization of the “death of the
author” so central to postmodern literary criticism.
Directed by César Monteiro. With Maria do Cormo, Ana Brandão, Reginaldo
da Cruz
Portugal 2000, 35mm, color, 75 min. Portuguese with English subtitles
The Harvard Film Archive is located on the lower level of the Carpenter
Center for the Visual Arts, 24 Quincy St. Cambridge
617 495 4700
The Harvard Film Archive does not sell advance tickets. Tickets are
available at the HFA box office 45 min. prior to showtime
_http://hcl.harvard.edu/hfa
_